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Showing posts from October, 2011

A Photo from Jill Alexander Essbaum

I am taking an online class. The instructor is Jill Alexander Essbaum. The photo was taken by her.

New Madrid--Accepted!

New Madrid: A Journal of Contemporary Literature is accepted two poems.
*** PEEL
My grandfather hides in a closet. “I’m not afraid of dying in this war,” he screams. Bullets
blotted out the sky in 1945. Flower-printed futon mattresses caught fire. Ash
stuck in my grandfather’s eyes. Like rotten fruit, only the skin held a human shape. His shoes were scorched.
Alzheimer’s doesn’t destroy war memories.
“Do you want to eat a tangerine?” I asked. He crouches in the closet, stroking his dried toes. I sit next to him. Cicadas
recite the Buddhist sutra. I trace the tangerine’s peel and think of your smooth body. My nails
pierce skin. Juice rolls down between my fingers. I lick
their tips next to the shaking old man.
*** IN LAWRENCEVILLE; HONEYMOON
Time and again; time.....and again; I sit .....and stay in my Japanese body; no
honeymoon: no dining table: eight months & three
thousand dollars to become an Asian or Pacific Islander
immigrant; it’s pending: I can do nothing: I am
nothing until it clears; I can’t hire you— se…

FOREIGN / GREY-- Prose-ish Poem

FOREIGN / GREY

Because I’m from Fukushima, I say, I’m not / radioactive poison, and eat green / seaweed salad from a bowl. You / hold my hands as we share these long / silences together. Because / I’m a Buddhist, I recite, Namu-amida-butsu, at noon / over lunch, and very late at night after a long / day’s work. But I don’t pray for the Japanese. I pray / for myself because I crave / a word. I want it to avalanche into my eyes / like a kaleidoscope for the dead, but the sky / darkens as usual because I’m so / often lost in this foreign / grey. I take my two fingers and push / them into my breasts. I say, If I / die with cancer, for example? You rub / my left breast. My brown / nipples are so cold at 2:30 A.M.


***Note
Namu-amida-butsu is a phrase from Buddhist prayer.

REQUIEM FROM AN OFFICE

REQUIEM FROM AN OFFICE
..........after Japan, 3/11/2011

I type numbers for thirteen
dollars an hour and sit in a black
chair for eight hours. Glass
cloth covers my eyes. Cold

sand fills my bones. A graveyard

on the hill is burning.
After the earthquake, a fisherman
runs to the fire. He carries
a clarinet and yells to me,

What else do you want?

I stab
the calculator with scissors.
They slice my skin. Veins
overflow. White ashes fall on the granite

floor. I smell of my singed eyelids. A tsunami

pushes the flaming tombstones and boats.

Under the crescent moon, the fisherman
plays a clarinet concerto. He vibrates
his reed. In the ocean breeze, he inhales
human dust. I open

my eyes. I want

lights

and then more lights.

SEVENTEEN BLUE

I am taking Jill's online poetry workshop. For the first week, we discussed about Prompts & Ideas. I edited my poems with their posts.


***
SEVENTEEN BLUE

1.
The cranes are crowded in my mail box.

Seventeen blue
papers lay scattered on the floor. Buddha
folds one more for my shiawase.

He whispers, What did you expect?

My mother rings

a bell from her wheelchair. I change
her diaper.

2.
A sudden noise
comes from Buddha’s stomach. He brings

me an apron. I open

the refrigerator and reheat
steamed rice and smoked mackerel.

From the white plates,
he feeds my mother and the origami

birds...........I wring

their necks.



***
My favorite prompts from the Online Workshop:

#1) Backwards
Like Sarah’s idea, I like to flip my poems as well. And then I kill my favorite unnecessary words and reorganize stanzas & line breaks.

#2) Ekphrastic
Like Tanya’s idea, I also like writing about art/paint. My obsession is Modigliani. I would definitely have a date with him.

#3) Steal attractive words from books
I al…