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I am reading "News of the World" by Philip Levine.

One of favorite from his book...


Smiling, my brother straddles a beer keg
outside a pub, 1944, a year
of buss bombs. He's in the Air Corps,
on a mission to London to refill
oxygen tanks for B-24s, the flying coffins
as they were dubbed by those who flew
them night after night. Fifty years later
a German writer on a walking trip
through East Anglia meets gardener
who recalls as a boy of twelve hearing
the planes taking off at dusk to level
the industrial cities of the Ruhr
and later when the Luftwaffe was all
but destroyed whatever they could reach.
"50,000 American lads died." The gardener
recalls waking near dawn, the planes
stuttering back in ones and twos.
How many Germans died we may
never know. "Must have been women,
children, and the very old what with
all the eligible men gone to war."
The German novelist writes it down
word for word in his mind and goes
on to an appointment with an English
writer born in Germany, a Jew
who got out in time. My brother
recalls a young woman who lived above
the pub, a blonde, snapping the picture
outside the pub with his own Argus
C3, and points out a horse and wagon
around the corner loaded with beer kegs
but with no driver. The pub is closed,
for it is not long after dawn and the city
is rising for work and war. We call the time
innocent for lack of a better word, we call
all the Germans the Nazis because it suits
the vengeance we exact. Some hours later
the two writers born in Germany sit
out in a summer garden and converse
in their adopted tongue and say nothing
about what they can't forget as children,
for these two remain children until they die.
My brother, blind now, tells me he us glad
to be alive, he calls every painful day
a gift he's not sure he earned but accepts
with joy. He lives in a Neutra house
with entire walls of glass and a view
of the Pacific, a house he bought
for a song twenty years ago in disrepair.
He accepts the fact that each year squadrons
of architectural students from Europe and Asia
drop in to view the place, and though
he cannot see he shows them around
graciously and lets them take
their photographs. When I tell him
of the 50,000 airmen the gardener told
the novelist about, he blind eyes
tear up, for above all my older brother
is a man of feeling, and his memory is precise--
like a diamond-- and he says, "Not that many."

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Pre-Order "Mother Said, I Want Your Pain" Today!

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Of the collection, Janine Joseph writes:“I do not know/ if I am even right to be a mother at a right time,” discloses the speaker in the opening poem of Mother Said, “I Want Your Pain.” Evocative and startling in their unflinching clarity of image, these poems are inheritors of the aftermath of nuclear fallout and chemical warfare. They are tuned to the movement of transgenerational traumas. Grandmothers who “hid in a ditch with three horses” while B-29s shot bullets overhead, leave relatives who later ask of our bequeathed earth, “Is the land poisoned or not poisoned?” Here is a striking collection with a deft voice, poised even as it turns on or transcends an observation or emotion: “Grandfather watches TV on the highest volume,/ the howling-wind.”

Pre-Order Your Copy Today from Backbone Press!